Sister Midnight and Stepping Stone Present: Yasmin Williams + Leyla McCalla

Yasmin Williams is an innovative guitarist and composer known for her unique compositional approach and expansive instrumental style. Her latest album Acadia, released on Nonesuch Records, showcases her evolution from solo performer to collaborative artist, featuring partnerships with notable musicians like Aoife O’Donovan and Immanuel Wilkins.

Williams’ distinctive creative process involves “ruminating” on single notes until compositions naturally emerge. Beyond traditional fingerpicked guitar, she demonstrates mastery of multiple instruments including kora, harp guitar, banjo, and electric guitar. Her music, while rooted in folk traditions, transcends conventional structures to incorporate elements of progressive rock and experimental composition.

Following her acclaimed 2021 album Urban Driftwood, Acadia represents a significant artistic expansion, featuring three distinct sections that move from traditional folk influences to atmospheric soundscapes and experimental arrangements. Williams’ approach emphasizes sustained tones and intricate articulation, creating music that balances technical precision with ethereal, floating melodies.

Leyla McCalla finds inspiration from her past and present, whether it is her Haitian heritage or her adopted home of New Orleans, she — a bilingual multi-instrumentalist, and alumna of Grammy award-winning African-American string band, the Carolina Chocolate Drops — has risen to produce a distinctive sound that reflects the union of her roots and experience. McCalla’s music is at once earthy, elegant, soulful and witty — it vibrates with three centuries of history, yet also feels strikingly fresh, distinctive and contemporary, sonically blending New Orleans influences and Haitian rhythms, with lyrics sung in English, French and Haitian Creole. McCalla’s widely-acclaimed collaborative project, Songs of Our Native Daughters (Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell), released via Smithsonian Folkways in 2019. The album pulled influence from past sources to create a reinvented slave narrative, confronting sanitized views about America’s history of slavery, racism, and misogyny from a powerful, modern Black female perspective.