Tracy Bonham w/ Jill Sobule

Tracy Bonham is a classically trained violinist and pianist turned alternative singer-songwriter who rose to fame in 1996 with her twice GRAMMY™ nominated album, The Burdens of Being Upright (Island Records). This debut album cast Bonham into the global spotlight with MTV fame and major radio airplay with her #1 alternative chart-topping song Mother Mother, an anthem for disgruntled teenagers of all ages. While so many of her songs have been placed in film and tv throughout the decades, you might have most recently heard Mother Mother in Yellow Jackets season 1 episode 2.

Over the past 27 years, Bonham’s albums and live performances have shown what it is to be an ever-evolving artist. While Bonham sings, she moves from guitar to violin, from violin to piano, and back again. When playing live, her songs from the 90s blend and blur with stylistic changes that she has created over time making her entire repertoire make sense as an entire body of work. She plays the old and new material and even though the songs span thirty years they all continue to be equally relevant.

Bonham will be joined by upright bassist Rene Hart (David Amram, James Hunter) and drummer Alvester Garnett (Regina Carter, Abbey Lincoln) and with her new material she connects to something deeper than ever, her true self. Most of the new songs are performed on the piano giving her the chance to lean back to what made her fall in love with music in the first place. Borrowing harmonic structures and beautiful melodies from her favorite classical romantic composers, Bonham stretches herself artistically to combine this rediscovered passion with her unique and quirky songwriting style to create musical alchemy. This purifying process most certainly acts as a vehicle for inner transformation for Bonham. “It’s like going back to the spark I had as a very young musician, discovering the beauty of Ravel and DeBussy and reclaiming that spark and everything that has happened after that”. Bonham speaks of her current line-up, “Playing with incredible jazz musicians like Rene and Alvester has opened my mind and is now giving me the support I have always needed to spread my wings and fly. I am really enjoying exploring the intersections and overlaps of where classical and jazz meet without excluding my alternative rock sensibilities. These dudes can rock too. The three of us playing together is definitely my happy place”.

“Bonham is a unique and versatile vocalist and writer with much more to offer than just that feisty hit.” ~The Charlotte Observer

“Bonham, from the beginning and increasingly over time, is a riveting, complicated maker of pop music” ~ PopMatters

Jill Sobule’s work is at once deeply personal and socially conscious, seriously funny and derisively tragic. In a dozen albums spanning three decades of recording, the Denver-born songwriter/guitarist/singer has tackled such topics as the death penalty, anorexia nervosa, shoplifting, reproduction, the French Resistance, adolescent malaise, LGBTQ issues, and the Christian Right. Her hits include “I Kissed A Girl”—the first openly gay-themed song ever to crack the Billboard Top 20—and the alt-rock anthem “Supermodel” featured in the film “Clueless”. Sobule was one half of The Jill & Julia Show, providing music while actor Julia Sweeney contributes storytelling. Jill is considered a pioneer in crowdfunding and is constantly exploring and creating new models for artists in an ever-changing music industry. Her latest record is “Nostalgia Kills”, produced by Ben Lee and released on her own Pinko Records label. Jill’s theater credits include a musical adaptation of the Broadway classic “Yentl”, “Prozak and the Platypus”, and “Times Square”. Her latest, “F*ck 7th Grade”, was postponed due to Covid, but was performed and filmed for three days at a make-shift drive-in over the Summer. The musical is a finalist for the Lambda Literary awards in LGBTQ Drama category this June.

“Jill Sobule can claim her place among the stellar New York singer-songwriters of the last decade. Topical, funny and more than a little poignant …grown-up music for an adolescent age.”
-New York Times

www.jillsobule.com